Filed under: iPod Family, iPhone, iPad

Ever since the iPad's introduction a month and a half ago, the internet has been awash in criticism of the as-yet-unreleased device. "It's just a big iPod touch," many have said. "No Flash, no multitasking, no sale," others bemoaned. And a few have gone so far as to say, "It doesn't do a lot of things that a netbook that costs half as much will do." For these reasons and many more, many of the pundits and forum dwellers have but one prediction: the iPad is going to crash and burn.

Don't you believe it, because the critics have been wrong before. Several times, actually, according to The Week, which provides a list of five Apple products the critics thought would fail. Out of those five, only one, the Newton, failed to find mainstream success. The other four were industry-defining products which went on to sell millions of units each.

What did the critics have to say about these four "failed" Apple products when they first debuted, and which products were they? Click "Read More" to find out.
1. The Mac

It seems absurd now, but there was a time when some critics thought the Mac would be a complete failure. They considered the mouse-driven interface "Useless." Ponder that one for a bit. "Awkward," "Not easy to learn," and of course, "Costs too much" were other 1984-era complaints leveled at Apple's latest creation. These critics were used to the keyboard-driven interface of DOS-running PCs, and from the sounds of things, they considered the Mac, with its graphic user interface and "awkward" mouse, to be nothing more than an overpriced novelty, doomed to fail.

I hardly need to tell you what happened next. The original Macintosh completely revolutionized the computer industry. Within only a short time, companies like Microsoft scrambled to duplicate the GUI/mouse combo the Mac brought to the market. Today, nearly every desktop, notebook, and netbook out there runs a GUI/mouse interface. And 26 years after the first Macintosh debuted, Apple still sells Macs by the millions every year. I wish I could fail half as hard as that.

2. The iMac

"No floppy drive?!?" was the echoing cry among the tech world in 1998. Add to that the iMac's hermetically-sealed case and not particularly upgrade-friendly components, and once again, tech critics and build-it-yourself users who had been used to beige towers predicted the iMac would never catch on. Instead, the iMac sold like crazy and almost instantaneously doubled Apple's PC marketshare. Twelve years later, the iMac is still Apple's best-selling desktop, and it shows no signs of going anywhere anytime soon... unlike those floppy disks everyone once thought were so crucial.

3. The iPod

One of the greatest things about the internet is that in a way, it's the closest any of us will get to time travel. Let's go back to October 23, 2001, and get Slashdot's now-famous opinion of the just-announced iPod: "No wireless. Less space than a Nomad. Lame."

The comments that follow are even better. "I don't see many sales in the future of iPod." "All I can say is, as an Apple 'fan', I'm sad." But don't just take Slashdot's word for it. The forum folks at MacRumors had some true gems too: "Great just what the world needs, another freaking MP3 player." "I still can't believe this! All this hype for something so ridiculous! Who cares about an MP3 player?" "'I'd call it the Cube 2.0 as it wont sell, and be killed off in a short time...and it's not really functional." "The Reality Distiortion Field[TM] is starting to warp Steve's mind if he thinks for one second that this thing is gonna take off." "Not exactly 'revolutionary'. " "The real money is in DRM and distribution (ala Real Musicnet). If Apple were smart they would be focusing on high gross revenue from services rather than a playback device." "It is by no means revolutionary or groundbreaking. It is an MP3 player. BFD. It is just a step in the evolution of an MP3 player [...] Think different is dead."

It goes on like that, for pages and pages. And this is at a site full of Apple fans, the majority of whom were unimpressed with the iPod at best and thought it was Apple's death knell at worst. People who weren't great fans of Apple at the time, like the guys behind Penny Arcade, had even harsher things to say about the iPod, even two years after its release (not safe for work language -- it is Penny Arcade, after all). Over nine years later, where are we? Over a quarter of a billion iPods have been sold since then, and it's largely due to the iPod's momentum that Apple has become the phenomenal success it is today.

4. The iPhone

For the first half of 2007, before the iPhone actually hit stores, people either thought it was the greatest innovation of the past ten years (at least) or an overpriced, overhyped device that lacked features common to many other phones. Of course, there was no lack of punditry from those who thought the iPhone was doomed, and Apple right along with it. Tech critic John Dvorak said of the iPhone, "I'd advise people to cover their eyes. You are not going to like what you'll see." A former CEO of Palm said, "We've learned and struggled for a few years here figuring out how to make a decent phone. PC guys are not going to just figure this out. They're not going to just walk in." And who could forget Steve Ballmer of Microsoft, perhaps the best-remembered critic of the iPhone: "There's no chance that the iPhone is going to get any significant market share. No chance." Ballmer claimed Apple would be lucky to get 2-3% cellphone marketshare.

Over 42 million iPhones later, Apple has become the largest mobile device company in the world. And whether you agree that HTC and other phone manufacturers have violated Apple's patents or not, the influence the iPhone has had on the smartphone industry is undeniable. Before June of 2007, almost all smartphones looked like clones of the Blackberry. Less than three years later, an awful lot of smartphones now look like clones of the iPhone instead.

With these four products, Apple drove the evolution of three industries: PCs, portable media players, and smartphones. All four products were smashing successes despite all the doom and gloom from both professional and armchair tech critics. Now, with the introduction of the iPad, Apple is aiming at a new industry: ultraportable computers. For the past month and a half, at least half of everyone paying attention to the iPad has laughed at it, pointed out its shortcomings, and predicted its failure. My prediction? A year from now, we're going to have a very long list of misguided iPad quotes to point and laugh at.

TUAWDon't trust the critics: Four Apple products they thought would fail originally appeared on The Unofficial Apple Weblog (TUAW) on Wed, 10 Mar 2010 10:00:00 EST. Please see our terms for use of feeds.

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iPhone - Apple - iPod - IPod Touch - Microsoft

One of the most striking images from The Terminator was the weapon he carried and used in his first attempt on Sarah Connor's life: the .45 Longslide, with laser sighting. Who can forget the scene in the gun shop? The gun was likewise such a striking presence on screen it was used on the film's poster. There are T-shirts dedicated to the gun.

Terminator was released in 1984, and while laser sights on weapons are common now, when the film was first shown the red laser was able to communicate something subtle and powerful to the audience: this is a machine, deadly accurate and futuristic. It made the Terminator seem other-worldly and terrifying. At a party during CES, Deputy Editor Jon Stokes and I bumped into some representatives from SureFire, a company that specializes in tactical flashlights. We talked about some of our favorite moments with technology in cinema, and The Terminator came up.

"We created that laser!" I was told. They told me the gentleman who built the prop was named Ed Reynolds, and he was still with the company. More than a little jazzed about bumping into a fun part of film history, we knew we had to get the full story behind the Terminator's gun.

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Author: chris
Posted on: 2010-03-02 14:49:24

A new test of the four major U.S. 3G networks found that AT&T has undergone a "drastic makeover" in the last eight months, with download speeds that blow away competitors Verizon, T-Mobile and Sprint.

Filed under: Software, Open Source, Friday Favorite

The phrase "game changer" is no doubt cliché and overused, but every now and again it just fits.

I had heard about Notational Velocity when Merlin Mann posted about it on 43Folders. It changed how I use my iMac, MacBookPro, and iPhone, bringing them all together in a very cool way.

The app has been around for awhile (we talked about it five years ago!) but some new features and new technologies make it well worth another look. It took me a minute to understand why I'd want Notational Velocity, it because it sounded like yet another "everything box" like Yojimbo, which I was already using.

Notational Velocity does save notes, either in ASCII, RTF, or HTML, but with the latest version, Notational Velocity syncs with Simplenote or WriteRoom for iPhone. It also easily syncs via Dropbox if you follow the important configuration notes here.

Imagine if Apple had created an over-the-air method of syncing Notes and it all Just Worked. That's what Notational Velocity has achieved. Notes on my iPhone, my iMac and my MacBook Pro. Edit a note anywhere, and the changes are synced nearly instantly and appear everywhere. It's fast, it's seamless. Thinking about getting an iPad? That's only going to make this setup even sweeter.

Once you have set Notational Velocity to store your notes in individual files, you can edit them with any text editor, or within Notational Velocity itself. You can edit them on Windows or Linux machines synced to your Dropbox. Spotlight can search them. Notational Velocity will search incrementally as you type in the main box, and if it doesn't find a matching note, it will let you create one.

It would be unfair and inaccurate to call Notational Velocity a replacement for Yojimbo. Notational Velocity has basic tagging features, but it doesn't store images or PDFs or web pages. However, during the many, many months when I couldn't get Yojimbo to sync over .Mac/Mobile Me, I fell out of the habit of using Yojimbo. Syncing Yojimbo via Dropbox is dangerous because it stores all the information in one large database. My new habit involves storing individual files in Dropbox: images in ~/Dropbox/Photos, PDFs in their own folders, and so on. Web pages, which I used to store in Yojimbo, I now put into Instapaper. While it is possible to use Yojimbo and Simplenote together, I haven't done it, so I'm not sure how well it works.

After a few days of using Notational Velocity, I exported my entire Yojimbo database to a folder in my Dropbox. An app that used to sit in my dock and auto-launch when I logged in now sits empty. Notational Velocity changed the game, dramatically and quickly.

Notational Velocity is open source, and hosted on GitHub which means that anyone can access the source code and modify it for their own use. Steven Frank from Panic forked his own version of Notational Velocity that includes a third pane to display the note in Markdown format.

Of course you don't have to use Dropbox, or Simplenote, to use and enjoy Notational Velocity. They just work really well together. If you love text files, and especially if you're already using Simplenote, checkout Notational Velocity. It has brought together several bits of technology that I love into a big hot fudge sundae with cookie dough ice cream combination of nerdy yumminess.

TUAWNotational Velocity, Simplenote, and Dropbox bring child-like wonder originally appeared on The Unofficial Apple Weblog (TUAW) on Fri, 19 Feb 2010 13:00:00 EST. Please see our terms for use of feeds.

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NotationalVelocity - iPhone - Dropbox - Merlin Mann - Simplenote

For me, seeing this picture was just like finding out there’s no Santa Claus.

Current fair use law is hazy by design; instead of laying out specific use cases, the law relies on the famous "four factors" about the purpose of the use, the nature of the copyrighted work, the amount borrowed, and the effect on the value of the original work. This can be maddening in many situations, because it is impossible to know in advance if a particular use qualifies. On the other hand, it gives a fair use incredible flexibility to adapt to new circumstances like the advent of the VCR.

But in the paragraph that comes just before the four factors, Congress did see fit to lay down a nonexclusive list of fair uses: "criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research." Is it time for more list items? The new Copyright Reform Act, proposed by Public Knowledge, would make a deceptively simple change to bring fair use into the 21st century—add seven words to this list.

Editor’s note: This is a guest post from Everett Bogue, author of The Art of Being Minimalist, and blogger at Far Beyond the Stars.

Have you ever had a creative evening when time suddenly flew by? A day when you executed a difficult project at work flawlessly? A brief moment in time when your challenging exercise routine felt effortless?

All of these times you were in a state of flow.

Flow is a concept developed by Mihaly Csikszentmihalyi of the University of Chicago, who has studied the phenomena his whole career. Daniel Pink reintroduces the concept in his new book Drive: The Surprising Truth About What Motivates Us.

Many people flow through their lives in an effortless fashion, while countless others have a difficult time achieving a flow state.

Why flow is hard to achieve
Flow is a moment in time when you’re both challenged at the activity that you’re doing, and when you also have complete autonomy in the task you’re conducting.

We engage in flow under your own volition, with a skill which we’ve had some amount of experience.

If you’re not flowing, it’s probably because you aren’t allowing yourself to be challenged, you’re completely overwhelmed, or someone else is holding you back.

The majority of my experience with flow has been with dance and writing. I’ve studied dance for many years, and one of the technical skills that dancers work on is called improvisation. Improv is very tricky in dance. You have to turn off your mind and simply dance with your instincts.

When you’ve mastered improv dance, you’ve reached the sweet spot between your brain transferring commands to your nervous system. There is no longer any thinking involved, as thinking in improv dance will make everything stop. There just isn’t any time for brainwork when you are constantly moving.

Csikszentmihalyi hypothesizes that these moments of flow occur because we’re simply activating too many neurological functions. Because of this we no longer have capacity to be aware of what functions we’re engaging in. So the ‘conscious of me’ part of the mind switches off, your awareness of yourself slips away, and you just do.

You’re simply flowing in the the present moment
I have also experienced flow in writing. I think it’s very important for writers to engage in flow. A lot of writers stop and meticulously edit their work after every sentence, but writing this way (for most people) is counterproductive.

Why? I believe it’s because of the same reason that dancers can’t stop dancing in improvisation. If you just keep writing for 30 minutes without stopping, you give your mind a chance to turn off the ‘conscious of me’ brain functions. This in turn grants more brain power to challenging the boundaries of your writing ability.

You cannot edit while you’re producing work. If you do, you’ll be constantly switching between your right brain and your left brain. Your creative center will be switching off and on and it will be harder to produce anything meaningful.

A classic example of real world flow
Ray Bradbury was a freelance writer who was trying to support his family. However, he was working at home with his cute little children. This proved to be incredibly distracting, so he had to find somewhere else to write. So, he headed over to UCLA’s Lawrence Clark Powell Library.

In the basement of the library there was a number of typewriters that gave 30 minutes of writing time for a dime.

Ray was very poor at the time, and needed all the money he could to support his family. Whenever he popped in the dime, he wanted to get his month’s worth. This forced him to write at a frantic pace until his time was up. The most frustrating element of writing the novel was when the typewriter keys tangled, because it meant that he was wasting valuable time.

In between these 30 minute typewriter banging sessions, he would wander the halls of the library studying books and contemplating what he would write for the next 30 minutes.

The novel Ray finished was classic sci-fi novel Fahrenheit 451. He created this novel in record amount of time, and recalled feeling as if the flow of time had accelerated. The novel wrote itself, effortlessly.

Think about how important it is to flow
I really believe many people miss this aspect of engaging in their work. If you aren’t flowing, you’re not reaching the peak of your ability. There is so much untapped hidden potential in flow, just waiting to be retrieved.

People who have learned flow are challenging themselves and creating work at their best.

We no longer have dime typewriters at the library, but there are a number of ways to practice flow without them.

9 simple ways you can bring yourself into flow

1. Pick a enjoyable, challenging activity. The easiest way to enter flow is by doing something you love. The activity also needs to challenge you, one you are extremely passionate about, that you enjoy doing, and that causes you to grow. If the activity is boring to tedious you won’t enjoy it, and so there is no way you can engage in flow.
2. Eliminate distractions. Turn off your phone, log out of twitter, switch off gmail. If you’re constantly flipping back and forth between different tasks you’ll never be able to achieve flow. A foreign distraction will quickly bring you out of the flow mindset.
3. Think before you do. Do any research or preparation before you engage in the activity you wish to flow in. If you stop and do research while writing, or have to grab a bite to eat in the middle of a run, you’ll throw yourself out of the grove. Preparation is the only way to avoid that.
4. Isolate yourself. The best way to achieve flow is alone. If you’re in a room full of people, your mind will constantly be drawn away from what you’re doing. Shut the door, put on headphones, or find another way to isolate yourself.
5. Let go. Give up any expectations that you have for yourself. If you enter a flow situation with preconceptions about the results that you’ll get from the practice, you’ll inevitably disappoint yourself. You also run the risk of narrowing your focus to a point where you can’t change coarse naturally if your flow takes you down a road less traveled.
6. Give yourself a time limit. Like Bradbury, set a timer on your activity. Give yourself 30 minutes of uninterrupted flow time and just go at it with everything you’ve got. Forget about how much time you’ve been doing the activity, and how much time you have left, just flow. You may just find that you lose track of time completely.
7. Keep moving. Continuous motion is key to flow, don’t give your mind a chance to start second guessing what you’re doing. Keep moving with the activity you’re flowing in. Go at a pace that’s challenging for you, but not overwhelming. You want to be calm and collected, but also have forward momentum.
8. Don’t think. Switch off the part of your brain that observes what you’re doing. This is your self-consciousness, your ego, your sabotage. Why flow is so important is that it circumvents the necessity to constantly critique yourself. This can be hard, if you’re used to constantly second-guessing everything you do, but it is so important to successfully entering flow.
9. Practice. Like any useful skill, flow takes time to master. Don’t stress if you can’t do it right away. If you’re interested in achieving a state of flow, you need to practice regularly. Set a time every day that will be dedicated flow time. Eventually you’ll start to recognize when you’re flowing, and when you’re not. After many hours of practice, you’ll eventually become a flow master.

Everett Bogue is the author of The Art of Being Minimalist, and writes about living a simple minimalist life at Far Beyond The Stars.
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Posted by Hartmut Neven

Post written by Leo Babauta. Follow me on Twitter.

The beauty of an empty inbox is a thing to behold. It is calming, peaceful and wonderful.

An inbox that is overflowing with actions, urgent calls for responses, stuff to read … it’s chaos, it’s stressful, it’s overwhelming.

A friend recently posted:

“Help! I’m drowning in email!”

Let’s look at how to get your head above water first, and then how to get safely to dry land.

Head Above Water
You need to give yourself some breathing room. A flooded inbox is overwhelming, and you don’t know where to start. So here’s where we’re going to start:

1. Create an “actions” folder or label in your email. This is where you’re going to store any emails that you need to take action on (other than just replying or filing or whatever).
2. Pick the most important. Go through your inbox and check off 10-15 that are the most urgent action emails, and file them in this new folder. If you don’t get to the sections below right away, you can at least work from this folder for now.
3. Temporarily archive. Now create a “temp” folder. File everything that’s still in your inbox into this temp folder. Everything. You’re going to get these out of the way and not worry about them at the moment. We’ll get to these, but it gives you a little breathing room.
4. Set a new policy. Every new email that comes in will follow the rules in the next section. No more allowing your inbox to pile up.

New Emails
So what to do with new emails that come in? Set some rules, and commit right this minute to ruthlessly sticking to them:

1. Process from the top down. When you open up your email, process the inbox completely. Start with the top email in your inbox, and open it. Take one of the following actions, in this preferred order: (1) delete (use this liberally), (2) archive (in case you want to look it up later), (3) quick reply (four sentences or less) and then archive, (4) put on your to-do list for action (if you don’t have a list, start one now) and then file in your “action” folder. This last item includes long replies (which should be as rare as possible). If you take one of these four actions, you should dispose of every email.
2. Go to the next email and take quick action, and so forth. Don’t spend longer than 20 seconds on any one email, and even then you should only do that if you’re doing a quick reply or adding the item to your to-do list. If you process this quickly, you’ll be done with your inbox in minutes.
3. Only when you’ve processed should you start worrying about the to-do items. You can choose to do those now, or later. Don’t start doing the to-do items when you’re processing.
4. Newsletters, etc. You’re never going to read all those newsletters, notices from services, catalogs from companies, and so on that regularly get delivered from your inbox. So go into your “temp” folder and delete all of them right now. All of them. And whenever new ones come in — emails that are not from real people directed just for you — you’re going to go to the bottom of the email and click on the “unsubscribe” link. Every single one of them should have an “unsubscribe” link — if not, mark as spam. It only takes 10 seconds to click on the unsubscribe link and then go to the new page and hit the unsubscribe button. And if you do this for every single one, you’ll soon get a lot less email.

Follow these four rules and you’ll never have a full inbox again.

Stop the Flood
OK, things should feel a bit more manageable now. Now we want to set some long-term policies so that you get fewer emails from now on.

Here’s what to do:

1. Unsubscribe from everything. This was talked about in the section above, but just in case you missed that, go back and read the newsletters item. You don’t need newsletters flooding your inbox.
2. Stop sending so many emails. The more emails you send, the more you’ll get. Use email as little as you possibly can. Call people if you can, or walk over and talk to them. If those aren’t possible, see if you can figure it out for yourself. If you send an email that doesn’t require a response, say so.
3. Send shorter emails. They’re more likely to get read and acted on, and it’ll take less of your time to write them. Try sticking to 4 sentences or fewer.
4. Check email less often. Set times each day, and only check email on those times. When you do, process your inbox to empty using the rules above.
5. Filter out notifications. If there are notifications you do want to see, create a folder or label for them, and create a filter (Gmail is great for this) so that the notifications go straight to that label/folder and skip the inbox.
6. Set policies. Put up policies on your website or send the policies out to the people you work with. These policies should be aimed at reducing the number of requests you get. For example, if requests are coming to you that should be going somewhere else, put that in your policies. If people should deal with things through a different channel than email, say it in the policies. Try to figure out your most common types of emails, and find solutions so you don’t have to respond to all of them.
7. Post FAQs. Similarly, if you get a bunch of questions regularly, post the answers publicly so that you don’t have to repeatedly answer them by email. It’ll save you a lot of time.

Processing the Old Emails
You’re going to want to return to your “temp” folder, when you have the time, and start processing it. Some steps:

1. Process it in chunks if there are too many to do now. Just do it for 5 minutes and then come back later.
2. When you process, follow the rules for processing your inbox above (under the “New Emails” section). Start at the top, take quick action on each email, moving it out of the temp folder as fast as you can.
3. Feel free to mass delete emails. If you know you’ll never reply or act on emails, just check a bunch of them off and delete or archive. You can get big chunks done at once this way. Give yourself the freedom to let these go — and just worry about what you need to do from this point on.
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